A Day out at Hackley Bay on Flickr.

My first Lomokino film

Film // Tacita Dean
The Turbine Hall, Tate Modern
I went to see this and was mesmerised, and then curious, and then delighted, and fell in love with film as if it was the first time. 
I bought the catalogue, which not only going into such wonderful detail about the in-camera masks used to make this film, but also contains almost a hundred stories/articles/thoughts on the analogue format and the many reasons why digital mustn’t be allowed to trample all over it. It’s a beautiful thing. It gives me hope knowing there are so many people committed to preserving these fast-fading mediums.
Go see it, eh?

Film // Tacita Dean

The Turbine Hall, Tate Modern

I went to see this and was mesmerised, and then curious, and then delighted, and fell in love with film as if it was the first time. 

I bought the catalogue, which not only going into such wonderful detail about the in-camera masks used to make this film, but also contains almost a hundred stories/articles/thoughts on the analogue format and the many reasons why digital mustn’t be allowed to trample all over it. It’s a beautiful thing. It gives me hope knowing there are so many people committed to preserving these fast-fading mediums.

Go see it, eh?

A Day out at Hackley Bay on Flickr.

My first Lomokino film

Film // Tacita Dean
The Turbine Hall, Tate Modern
I went to see this and was mesmerised, and then curious, and then delighted, and fell in love with film as if it was the first time. 
I bought the catalogue, which not only going into such wonderful detail about the in-camera masks used to make this film, but also contains almost a hundred stories/articles/thoughts on the analogue format and the many reasons why digital mustn’t be allowed to trample all over it. It’s a beautiful thing. It gives me hope knowing there are so many people committed to preserving these fast-fading mediums.
Go see it, eh?

Film // Tacita Dean

The Turbine Hall, Tate Modern

I went to see this and was mesmerised, and then curious, and then delighted, and fell in love with film as if it was the first time. 

I bought the catalogue, which not only going into such wonderful detail about the in-camera masks used to make this film, but also contains almost a hundred stories/articles/thoughts on the analogue format and the many reasons why digital mustn’t be allowed to trample all over it. It’s a beautiful thing. It gives me hope knowing there are so many people committed to preserving these fast-fading mediums.

Go see it, eh?

I spy

I spy

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